diff --git a/content/posts/demo.md b/content/posts/demo.md deleted file mode 100644 index 0508d84..0000000 --- a/content/posts/demo.md +++ /dev/null @@ -1,37 +0,0 @@ ---- -title: DEMO -type: Project -year: 2024 -image: demo.jpg -tags: [AI, NLP, Simulation] -date: 2024-06-07 -showcase: - - name: Speak It Now Eat It, Revision Performing Arts Festival - year: 202777 - location: Belfast -credits: - Eoin O'Sullivan: Sound design -references: - - title: some-title - link: https://www.caileanfinn.ie -draft: true ---- -(O)MACHINE is a real-time generative performance that employs contemporary machine learning algorithms to explore how we humanise technologies.The architecture of this system was designed to emulate our stream of consciousness, where the machine is trapped in this perpetual cycle through processes of reflection and feedback. As questions begin to arise around the sentience or ‘intelligence’ of these thinking machines, it has become even more important to explore our relationship with machines, and how it continues to evolve. By engaging with its output, it positions artificial intelligence as both a subject and tool. Through this approach, we may begin to expand the dynamics of this connection through new methods of collaboration. From this interaction, we can continue to learn more about how these systems function, how they think, if they even think at all, or can it help us think? - -Sound design by (Eoin O'Sullivan)[https://eoin-osullivan.bandcamp.com/] - -* One -* Two -* Three - -__HELLO__ - -## WORLD ## - -
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+ +![Electronic Image](/images/electronic-image/d_electronic-image_1.png "Electronic Image") + +![Electronic Image](/images/electronic-image/d_electronic-image_3.png "Electronic Image") + +![Electronic Image](/images/electronic-image/d_electronic-image_4.JPG "Electronic Image") + +![Electronic Image](/images/electronic-image/d_electronic-image_2.png "Electronic Image") + +![Electronic Image](/images/electronic-image/d_electronic-image_1.png "Electronic Image") + +![Electronic Image](/images/electronic-image/d_electronic-image_6.png "Electronic Image") + +![Electronic Image](/images/electronic-image/d_electronic-image_7.png "Electronic Image") + +![Electronic Image](/images/electronic-image/d_electronic-image_8.png "Electronic Image") + +![Electronic Image](/images/electronic-image/d_electronic-image_9.png "Electronic Image") + + + + + + + diff --git a/content/posts/latent-mirror.md b/content/posts/latent-mirror.md index d423497..f10dee2 100644 --- a/content/posts/latent-mirror.md +++ b/content/posts/latent-mirror.md @@ -10,15 +10,18 @@ showcase: year: 2022 location: Wateford credits: - Cailean: CT - Leon: Camera -references: - - title: some-title - link: https://www.caileanfinn.ie + Cailean Finn: Visuals + Evan Miles: Sound draft: false --- This audio-visual performance was created in response to the 'Portraits: People & Place' exhibition at the WGOA (Waterford Gallery of Art). The performance explored the role portraits hold in the digital age, and how our perception of the 'subject' or 'sitter' has in some ways changed to facilitate virtual interactions. For this performance, I collaborated with local sound artist and producer (Evan Miles)[https://www.instagram.com/theevanmiles/], to produce visuals in response to his music. Our aim was to understand what meaning has been lost or gained during this digital conversion, and in what ways can we re-imagine our digital identity through sound, and video. The visual element of the performance was real-time and audio reactive, which captured the facial structure of the performing sound artist. By utilising Machine Learning Models, the captured face was manipulated and distorted further to animate another portrait, in an attempt to deconstruct and isolate key compositional elements of the 'subject'. Through this work, we hoped to reflect on our digital identity, and highlight the disconnection between our physical and virtual presence. -Created in TouchDesigner. \ No newline at end of file +*Performed live with TouchDesigner & Custom Deepfake Model.* + +![Latent Mirror](/images/latent-mirror/d_latent_03.png "Latent Mirror") + +![Latent Mirror](/images/latent-mirror/d_latent_5.png "Latent Mirror") + +![Latent Mirror](/images/latent-mirror/d_latent_6.png "Latent Mirror") \ No newline at end of file diff --git a/content/posts/undefined.md b/content/posts/undefined.md index 3af9be6..9dcd14b 100644 --- a/content/posts/undefined.md +++ b/content/posts/undefined.md @@ -10,11 +10,10 @@ showcase: year: 2022 location: Seoul credits: - Cailean: CT - Leon: Camera -references: - - title: some-title - link: https://www.caileanfinn.ie + Yang Ah Ham: Artist + The Laboratory of Manuel Burger: Graphic/Web Design + Nora O Murchu: Curator & Reseracher + Cailean Finn: Web Developer draft: false --- Undefined Panorama is a project by Yang Ah Ham in collaboration with, (The Laboratory of Manuel Bürger)[https://manuelbuerger.com/], Cailean Finn, and (Nora O Murchú)[http://www.noraomurchu.com/]. The work was made with the support of curator SungMin LJ, assistant researcher Parr Geng, coordinator Yena Ku. @@ -24,3 +23,13 @@ Undefined Panorama (2018–present) explores socio-political infrastructures and The online version of Undefined Panorama allows people to move between micro and macro perspectives of global, national and local events. In moving between these scales, Yang Ah Ham aims to open up questions about our relations to these events, and to generate new meanings by altering the scale of observation. This website was commissioned by 2022 Seo-Seoul Museum of Art Pre-opening Public Program Exceptional Times, Uncertain Moves, and created with support from the Arts Council Korea. + +(Website ↗)[http://undefinedpanorama.net/] + +![UP](/images/undefined-panorama/d_undefined_4.png "UP") + +![UP](/images/undefined-panorama/d_undefined_2.png "UP") + +![UP](/images/undefined-panorama/d_undefined_5.png "UP") + + diff --git a/public/articles/data.html b/public/articles/data.html index 91f04ca..0c41953 100644 --- a/public/articles/data.html +++ b/public/articles/data.html @@ -56,7 +56,7 @@

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(O)MACHINE is a real-time generative performance that employs contemporary machine learning algorithms to explore how we humanise technologies.The architecture of this system was designed to emulate our stream of consciousness, where the machine is trapped in this perpetual cycle through processes of reflection and feedback. As questions begin to arise around the sentience or ‘intelligence’ of these thinking machines, it has become even more important to explore our relationship with machines, and how it continues to evolve. By engaging with its output, it positions artificial intelligence as both a subject and tool. Through this approach, we may begin to expand the dynamics of this connection through new methods of collaboration. From this interaction, we can continue to learn more about how these systems function, how they think, if they even think at all, or can it help us think?

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Sound design by Eoin O'Sullivan

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WHAT

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Speak It Now Eat It, Revision Performing Arts Festival,

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Belfast

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This video series comprises of three individual studies, namely Embedded Energy, Electronic Phase, and Omnidirectional Objects, with each video study exploring an inherent characteristic of the video signal that reflects the key phases of the development in the evolution of the medium’s structural, temporal and spatial capabilities. Created as part of my Thesis “The Electronic Image: An Object of Time and Energy” in Art and Technology MA, University of Limerick, Ireland.

The three studies have been shaped by the experimental processes, techniques, and philosophies of the pioneering artists working with video. The artists in question, specifically the works of Steina and Woody Vasulka, who were driven by their yearning to understand the electronic signal and to formulate an electronic lexicon. The work, in its entirety, is an investigation of the unique set of “codes” embedded within the language of the video signal, consequently, recognising the electronic image as an object of time, energy, and it's programmable building element – the waveform.

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This audio-visual performance was created in response to the 'Portraits: People & Place' exhibition at the WGOA (Waterford Gallery of Art). The performance explored the role portraits hold in the digital age, and how our perception of the 'subject' or 'sitter' has in some ways changed to facilitate virtual interactions. For this performance, I collaborated with local sound artist and producer Evan Miles, to produce visuals in response to his music. Our aim was to understand what meaning has been lost or gained during this digital conversion, and in what ways can we re-imagine our digital identity through sound, and video.

The visual element of the performance was real-time and audio reactive, which captured the facial structure of the performing sound artist. By utilising Machine Learning Models, the captured face was manipulated and distorted further to animate another portrait, in an attempt to deconstruct and isolate key compositional elements of the 'subject'. Through this work, we hoped to reflect on our digital identity, and highlight the disconnection between our physical and virtual presence.

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Created in TouchDesigner.

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Latent Mirror

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Latent Mirror

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Undefined Panorama (2018–present) explores socio-political infrastructures and systems, and the relations embedded within them. This continuously evolving project is based on research collected by the artist Yang Ah Ham as she observes how people deal with hardship generated by the impact of globalisation, societal crisis, inequality, economics, and politics in their lives. The aim of the project is to observe how society is organised and aims to ask: What possibilities are there for social structures based on care and solidarity?

The online version of Undefined Panorama allows people to move between micro and macro perspectives of global, national and local events. In moving between these scales, Yang Ah Ham aims to open up questions about our relations to these events, and to generate new meanings by altering the scale of observation.

This website was commissioned by 2022 Seo-Seoul Museum of Art Pre-opening Public Program Exceptional Times, Uncertain Moves, and created with support from the Arts Council Korea.

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let title = jsonData[i]['name'] let filename = jsonData[i]['filename'] - let article = new Article(temp_txt, title, filename, i); + let article = new Article(temp_txt, title, filename.replace(/\.[^/.]+$/, ""), i); article.AddToScene(scene, aspect); object_list.push(article); } diff --git a/public/json/articles.json b/public/json/articles.json index c4a1f24..32fa860 100644 --- a/public/json/articles.json +++ b/public/json/articles.json @@ -19,11 +19,6 @@ "filename": "/articles/data.html", "image": "data.png" }, - { - "name": "DEMO", - "filename": "/articles/demo.html", - "image": "demo.jpg" - }, { "name": "Dwelling", "filename": "/articles/dwelling.html", diff --git a/public/list.html b/public/list.html index 404238c..9a14955 100644 --- a/public/list.html +++ b/public/list.html @@ -144,25 +144,6 @@

The BIG D.A.T.A Interview

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DEMO

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